Sunday, 7 October 2018

We Have Mentioned,

this film before,


 a couple of timesLoving Vincent is a 2017 experimental animated biographical drama film about the life of painter Vincent van Gogh, and in particular, the circumstances of his death, it is the first fully painted animated feature film, and above is the HD trailer with a few more frames than the last one we posted, each of the film's 65,000 frames is an oil painting on canvas, using the same technique as Van Gogh, created by a team of over 100 painters. The film premiered at the 2017 Annecy International Animated Film Festival. It won Best Animated Feature Film Award at the 30th European Film Awards in Berlin and was nominated for Best Animated Feature at the 90th Academy Awards,


if you liked the effect you might also like The Old Man and the Sea (Старик и море) is a 1999 paint-on-glass-animated short film directed by Aleksandr Petrov, based on the novel of the same name by Ernest Hemingway. The film won many awards, including the Academy Award for Animated Short Film. Work on the film took place in Montreal over a period of two and a half years and was funded by an assortment of Canadian, Russian and Japanese companies. French and English-language soundtracks to the film were released concurrently. It was the first animated film to be released in IMAX,


if you have the time the movie is above, the film's technique, pastel oil paintings on glass, is mastered by only a handful of animators in the world. Petrov used his fingertips in addition to various paintbrushes to paint on different glass sheets positioned on multiple levels, each covered with slow-drying oil paints. After photographing each frame painted on the glass sheets, which was four times larger than the usual A4-sized canvas, he had to slightly modify the painting for the next frame and so on. For the shooting of the frames a special adapted motion-control camera system was built, both films absolutely stunning especially when you think of the amount of work that has gone into both of them.


No comments: