with a difference,
artist Josie Morway uses geometric linework, colorful paint drips and occasional pieces of Latin text in her portraits of wildlife, Morway often
features birds in her oil and enamel paintings, using the graceful shapes of
the animals’ elongated necks and sweeping wings to draw the viewer’s eye around
the artwork,
many of Morway’s works also interweave plants: ferns, succulents, and blossoming flowers emerge from around her animal subjects’ bodies,
in an interview Morway says that the Latin lettering
that embellishes some of her paintings is heavily abstracted from old mottos.
“I don’t mean for them to be read too literally, but rather hope they lend a
certain feeling of portentousness to the pieces,”
Morway explains, “I like referencing religious icon paintings and other forms of ‘serious’ historic painting, but using animals and birds in the place of saints, etc. I’m going for the feeling of narrative realism, but working with a narrative that’s mysterious, missing some information, open to the viewer’s interpretation.”
Morway will have a piece on view at Antler Gallery in
Portland starting June 9, 2018, as part of PDX/LAX II, a collaborative exhibit
with Los Angeles gallery Thinkspace Projects, as well as a two person show in
October, You can also find her work in Australia at Beinart Gallery’s
group show starting July 13, the artist shares updates on her work via Instagram, and no I am not on commission, I just think the paintings are stunning, with or without the geometric linework, colorful paint drips and occasional pieces of Latin text.
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