but none as complex as these,
the term Intarsia means the the fitting together of pieces of intricately cut wood or other materials to
make often complex images, the craft gained most of it’s popularity in the Renaissance,
one of the great masters of intarsia appears in this black and white photograph from 1502, it is a self portarte by Antonio Barili, one of the great masters of the art, made with pear, beech, walnut, maple and palisander woods, once held at the Museum of Art and Industry in Vienna, it was sadly destroyed during World War II,
despite the obvious talent of the intarsiatori, the
Florentine polymath Giorgio Vasari — considered by many the first art historian
— famously dismissed their meticulous craft as “counterfeit painting”, which
has “always been exercised by persons possessing more patience than skill in
design.” Though “praiseworthy and masterly”, wooden inlay was nevertheless an
extravagant waste of time, wrote Vasari, doomed to a short life “because of
worms and fire”, noteworthy only insofar as it demonstrated the Renaissance
fascination with perspective, in other words, a curiosity like pastiglia boxes
or mother of pearl,
the emperor Charles V, motto: Plus Ultra, “further beyond” was so
impressed by this technique he has a cabinet made for him, had his motto inlaid
on one of the flaps of an impressive writing cabinet built for him in around
1532, a reification of his “invincible” reign and Spain’s recent success in
the New World, the outside beautiful,
the inside stunning,
the Gubbio studiolo (ca. 1478–82), is considered perhaps the
quintessential Italian Renaissance object and best known example of intarsia
paneling, it consists of a private study built for the contemplative benefit of
Federico da Montefeltro, above a part of the Studiolo Gubbio as installed in the Metropolitan
Museum,
detail showing one of the many trompe l’oeil cupboards, I have to say the more I look at some of the pictures above the more I am amazed at the countless hours of work that must have gone into the making of these examples of intarsia, the above illustration form The Met, and help with the text from Daniel Elkind.
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