seem an easy subject,
but to achieve depth of field is not an easy task, as I have found out, here are some photographs from Swedish
artist Helene Schmitz who
focuses on the fascinating structural details of plants in her macro
photographs, above “Drosera stolonifera” part of the Carnivores series, a previous series Blow Up was inspired by German photographer Karl
Blossfeldt’s plant portraits, and resulted in Schmitz’s first book of plant
macro photography. The artist notes that her second series, Linnaeus
Project, drew from Swedish botanist Carl
Linnaeus’s pioneering work in creating order and categorization in the
natural world, but also contributed to a pathway of modern exploitation of
natural resources (Linnaeus also applied his hierarchical rankings, highly
problematically, to humans), Schmitz’s showcase of the peculiar plants live on
the edge of flora and fauna, Carnivores, was an assignment for National
Geographic Magazine,
“Nepenthes lowii” part of the Carnivores series
“Papaver orientalis” part of the Blow Up series
“Sálvia patens” part of the Linnaeus Project series
“Venus flytrap” part of the Carnivores series
“Cucurbita pepo 2” part of the Blow Up series
“Musa téxtilis” part of the Linnaeus Project series
“Astilboides tabularis” part of the Blow Up series, Helene
Schmitz is represented by WILLAS
Contemporary in Oslo, Galerie Maria Lund in Paris, and Turn Gallery in New
York, you can see Schmitz’s work in person at Fotografiska, a
photography-focused Swedish museum with locations in Stockholm and Tallinn,
Estonia. The museum is opening its New York branch this winter, what a stunning set of micro photographs.
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